Read

ArtKeeper Update: Nadia Milford Mid-Way Check In

Share
ArtKeeper Update: Nadia Milford Mid-Way Check In

With movement as the genesis for her creativity, interdisciplinary artist Nadia Milford engages people in immersive experiences.

Drawing on a diverse blend of practices, including theatre, dance, installation and new technology, Nadia uses storytelling as a movement for empowerment and togetherness.

#Check in with Nadia mid-way through her HOTA ArtKeeper residency below.

How has your project evolved since your original proposal?  

NM: As I’ve delved into my time here at HOTA I’ve realised just how wide-spanning and rich this research process is including: Lebanese and Australian historical research, family stories and secrets and divulging all of this into movement and writing. For this reason, I’ve decided to start documenting all of these uncovering’s through a mini film which will provide insight into my project’s many branches.

What is something you’ve learned or discovered during the process so far?  

NM: I feel like I’ve well and truly “opened a can of worms” as I discover for myself our history of oppressive patriarchal norms, a sinister legacy of assimilation, and the wide spanning impacts on Australia and the globalised world we live in. They say the personal is the political and as I reach into the past I’ve surfaced forgotten childhood memories, feelings and understandings

You recently went back to your hometown of Dalby on a research trip. Tell us about that.

NM: Whenever I go back to Dalby it's this strange sense of nostalgia I can't explain in plain words. I spent the first 16 years of my life there and I attribute this time of being an adventurous little bush kid to the physicality and playfulness in my work now.

It was Jan 26, the day we’ve been told to celebrate our national pride. I drove past houses with our union jack flag draped over their front fence and thought about the nasty word my nan said she was called at school: “dago” which comes from a Portuguese slang word for a deckhand. Then, my readings on how the government deemed only those of “white complexion” as “desirable citizens” worthy of any rights in this country… Dalby will always have a place in my heart as somewhere I once belonged, still half do, although now I belong somewhere else too.

You’ve been spending some time with Artist Provocateur, Wesley Enoch AM recently – how are those conversations influencing your practice or project?

NM: Wesley is such a renowned playwright with an amazing body of work that I have to admit I was incredibly nervous to offer him my writing and ideas - especially in such a raw form. His provocations offer both structure and scope for ways of approaching my writing. Coming from a dance background, it has been really valuable to listen to how he approaches his work and gain a writer's perspective.


#Latest Stories

View All

ArtKeeper 2024: Lisa Smith

ArtKeeper 2024: Lisa Smith

In 2012 Lisa returned to the Gold Coast where she founded White Rabbit Thea...

ArtKeeper 2024: Samuel Leighton-Dore

ArtKeeper 2024: Samuel Leighton-Dore

Working predominantly across ceramics, illustration and animation, he’s int...

ArtKeeper 2024: Tal Fitzpatrick

ArtKeeper 2024: Tal Fitzpatrick

She holds a PhD from the Victorian College of the Arts (2018) and a Bachelo...

ArtKeeper 2024: Lachlan Woods

ArtKeeper 2024: Lachlan Woods

He graduated with a Bachelor of Dramatic Arts from the Victorian College of...

ArtKeeper 2024: Loki Liddle

ArtKeeper 2024: Loki Liddle

His practise includes being the lead singer and songwriter of the Gold Coas...

Subscribe now for Art in your inbox

News, special offers, events, competitions, and arts & culture updates on the Gold Coast. All the good stuff.

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service

HOTA proudly acknowledges the Traditional Custodians of the land on which we are situated, the Kombumerri families of the Yugambeh Language Region. We pay our respects to their Elders past, present and emerging, and recognise their continuing connections to the lands, waters and their extended communities throughout South East Queensland.

Continue